A branded publication can be a money-makin’ engine.

A light blue starburst shape with multiple pointed edges on a black background.
Open yellow box labeled "Sunday Riley" containing skincare and beauty products, skincare guide, and colorful printed materials against a blue background.
Book cover titled 'The Sunday Edit: The Globetrotter's Handbook', featuring illustrations of famous landmarks like Big Ben, the Eiffel Tower, the Golden Gate Bridge, Taj Mahal, and Mount Everest, with three women riding scooters and a background of scenery and cultural symbols from around the world.

A professionally designed publication in donor mailboxes, author proposals, or student recruitment folders sets your organization or self apart. It shouldn’t just be a pretty face — it should be a revenue-generating powerhouse.

In a world flooded with boilerplate Canva designs, your brand deserves more. Own your unique narrative. Position yourself as an authority. Build trust and real connection so your audience isn’t just impressed, they’re invested.

Let’s get those donor dollars, tuition checks, book advances, and startup funds flowing.

Magazine cover titled 'Georgetown Days 2023' with illustration of one person's hand pouring water from a bottle onto another person's outstretched hands, with a blue background.

Why should your organization spend money, time and brain power on brand publishing?

A large, light blue, starburst-shaped graphic with multiple pointed spikes against a black background.

The math doesn’t lie. When you combine a strong brand strategy with compelling storytelling, you build trust. And when people trust a brand, they’ll gladly spend their money, spread the word, and stick around for the long haul. Investing the time, money, and brainpower now? It’ll pay off in gold.

Types of Publications

This list ain’t exhaustive — just a taste. Got something else in mind? Ping me and we’ll dream up the right branded publication for your goals.

An open magazine featuring a portrait of a Black woman on the left page with glittery smoke-like graphic elements overlaying her face. The right page contains text and an illustration of a woman sitting with a large sun or moon behind her, on a pink background. The heading reads 'GET LIT' and the subheading 'The Incredible Shrinking Woman' by Athena Dixon, along with a book cover image.

What is the process?

Are you currently muttering, “But Sarah, this all sounds great, but I don’t have the bandwidth or the expertise…” Totally fair! Let me give ya the nuts and bolts.

What more details about how the sausage gets made? Let’s talk shop.

Open booklet about healthcare statistics, featuring pink-colored woman on the left page, with numbers and information about patient services and health metrics on the right page.
Cover of a report titled 'Planned Parenthood is Health Care' featuring a smiling woman with long, dark hair, wearing a light-colored blouse, against a blue background.

How much money are we talkin’ here?

Okay, hear me out—I’d love to give you a ballpark number, but there’s just no one-size-fits-all around here. Every publication’s got its own vibe, so pricing depends on the size, scope and timeline. We will chat numbers as we nail down your project parameters. Wanna start the conversation, email me today!

Keep scrollin’ down for all visual goodies. I’ve only showcased a smattering of my work here so if you’re looking for something specific, drop me a line!

Gold starburst shape on a black background
A person with a ring on their finger is typing on a laptop with a screen that displays an image of a swimmer underwater and the words 'CASE STUDY' in bold white letters.
A printed quote reading 'Feminist, Mother, Daughter, Sister, Wifey, Woman, Love' in black text on a white background.
Person lying on a couch reading a magazine or photo book.
Branded publishing that is long-lasting money maker

Printed vs Digital?

There’s a strong case for both a printed and a digital version. Let me break it down.

A printed publication is tactile, trust-building, and made to live on a coffee table. It’s a piece of branded collateral meant to be lingered over. Helping your audience connect with your world in a deeper, more invested way.

A digital version is ideal when your audience is global and you need to share information quickly and efficiently. It may be less experiential, but its reach is wide and it skips the printing price tag.

Most clients opt for a double-pronged approach. A bespoke printed piece offers an immersive, high-impact experience, while a digital version expands your reach and gets your message in front of more eyes.

Review Sarah Flood-Baumann's Design portfolio

Cookbook

Just a Pinch: A Southern Matriarch’s Cookbook

To celebrate and preserve my Southern grandmother’s kitchen legacy, I wrote and designed this print-on-demand cookbook.

By producing every aspect of the project myself, I gained a deep, hands-on understanding of what it takes to bring a cookbook from concept to finished product. The visuals support both the storytelling and instruction, creating an immersive and nostalgic experience.

Role: Art Director + Designer, Author

Coffee Table Book

A Field Guide to Rewilding the Modern School Yard, published by VS America and DLR GROUP

Commissioned by a world-renowned architecture firm specializing in educational environments, I was brought on to design a high-end, bespoke field guide for educators and book collectors alike. While not a traditional branded catalog, this coffee table book strategically used storytelling to deeply engage potential clients, such as school boards, educators, architects, and environmental specialists. It’s a slow-burning sales pitch that doesn’t feel salesy, designed to stay on shelves and in minds for years to come.

Role: Art Director + Designer

Pitch Deck

Sports-based pitch deck, White label client

This pitch deck’s a good example of how digital publications can be both smart and easy on the eyes. Folks viewed it from computers all over the world, and I mixed the client’s brand and story with all that dense, need-to-know data so it felt clear, engaging, and actually worth reading.

Role: Designer

Donor Report

Georgetown Days Magazine, Georgetown Day School

Based in Washington, DC, where numbers and dollars carry weight, there’s a school that puts the joy of learning front and center. With influential alumni scattered across the globe, this donor report needed to capture that spirit while also diving deep into the money-making weeds. Delivered in both print and digital formats, it landed in mailboxes and inboxes alike—part fundraiser, part community builder—designed to make alumni feel connected, inspired, and confident putting their precious dollar bucks into a place they trust: GDS.

Role: Art Director + Designer

Advocacy Presentation

Finance, Climate and Gender, Women’s World Banking

This wasn’t your average slide deck. It had to show up polished and professional for a global audience, but still tell a human story. So I rolled up my sleeves and wrangled a whole lotta data, research, and photography into something clear, compelling, and true to the Women’s World Banking brand. At its heart? A pitch that builds trust in WWB, engages potential donors and champions, and sparks a sense of community working toward a better world.

Role: Designer

Alumni Magazine

Cover of Vermont College of Fine Arts alumni magazine titled 'In Residence 2023', featuring a colorful, abstract, 3D geometric artwork with photographic elements and human faces on a grid background.

Vermont College of Fine Arts, Alumnx Magazine

The high-level goal for this redesign was to spotlight VCFA’s creative excellence while positioning it as both a vibrant community hub and a powerful fundraising tool. To get there, I dug into the details—streamlining navigation, bringing in personality with a bold grid, tightening up the color system, and refining typography to create a smoother, more readable experience.

Role: Art Director + Designer

Gold starburst shape with 12 points.

Curious how it all goes down?

Let’s break down the design process!

Each project is a little different and calls for a custom design process to make sure the scope and deliverables are clear and achievable.

At project kick-off, we’ll walk through your goals, define key milestones, and set up a feedback loop that works for everyone.

The design process outlined here is client-loved and battle-tested. It gives us a solid, strategic foundation to stay on track, on budget, and on time.

Don’t you worry your mind. I’ve got you covered.

Design Process of Sarah Flood-Baumann
Cover of Louisville Green Report 2021 featuring green leaves and brown and red leaves with text.

THE VISION

Colorful paper cut-out leaves arranged on a green background.

THE DOING

Colorful cover of the Louisville Green Report 2021 featuring paper cutouts of leaves and flowers on a green background.

THE FINAL

A person standing on a skateboard in an outdoor urban setting.

1.

PROJECT KICKOFF

After the initial deposit via my bank, NOVO (powered by Thread Bank). This non-refundable deposit is 50% of the total project quote. Once it’s paid, your project is officially locked into my design calendar—cue the confetti!

2.

RESEARCH + EXPERIMENTS

This is where I start to geek out. I’m researching, word-mapping, thumbnailing, cutting, pasting, experimenting—letting curiosity run wild as I explore what this project could be.

3.

DISCOVERY

Through Google Docs, I’ll guide you with a series of thought-provoking questions designed to help you uncover the core of your project. Some will be straightforward, while others may feel more abstract or even a bit vulnerable. My best advice? Don’t hold back, share as much as you can! The more juicy details you share, the more insight I’ll gain into your intentions, motivations, and desired outcomes. 

4.

DESIGN DELIVERED

Once I’ve landed on the strongest visual direction, I’ll head to the screen to bring the concepts to life. As I design, I continuously circle back to your responses—asking “why?” at every step to ensure every choice supports your story and goals.  

5.

FEEDBACK LOOP

Once the final concept is selected, we can begin the feedback loop. Together, we’ll go through a few rounds of revisions including both high-level and low level revisions. You know your story best, and I’m here to help shape it into a visual that feels juuuuust right.  

6.

FINAL!

And voilà! You’ve got yourself a smart, creative, finished piece that feels even better than you imagined. Once the final payment is received, I’ll upload all final files to our shared Google Drive, prepped for print and ready to shine. to our shared Google Drive, ready for print and primed to shine.  

Black silhouette of a woman with long hair against a light background, holding an umbrella.

Need help convincing your boss and those budget-loving bean counters to buy into a branded publication?

Download this snazzy lil’ PDF and you can print, email, or casually leave on their desk. It’s packed with strategic reasons to get everyone on board.

Imma need a branded publication.

Let’s get to work!